Hi Paul-John, That is awesome. Thank you for the kind words

Hi Bruce,

Well thank you. How did your shoot go at the Ben Franklin library and the stage ?

Hi Archana,

I am so sorry for the late reply. I have been doing some long hours on my latest project and I am glad that you had the ingenuity to pull it off. Great work!

I think the gimbal will be the best. I would under sling the Ronin 2 to a piece of 4 or 5’ speed rail and walk with one grip and camera op carrying the rig so you can get over the dog easily tracking with it. Gonna be great !!!

Hi Mark,

I use Graphic w/ Apple for schematics and if you go to this link you can get all the 4000 shapes I have created over the years: https://watch.filmmakersacademy.com/programs/lighting-and-blocking-diagram-icons With Shot Listing you can grab that from the DP templates that we sell, it is all worked out for you here: https://www.filmmakersacademy.com/product/cinematographer-template-package/

I got your email and have downloaded and uploaded it to Frame.io. I will be sending you notes this weekend. Great reel by the way but I have some great ideas to make it spectacular

Hi Jessica,

Let me send a link to you for those. I will add them to the edit but in the mean time I will send. Great idea. Thank you for your input.

Archana Ghangrekar yes please send

Hi Archana,

If you can send me a link to a downloadable file, I can then load it into Frame.io for review and I can give you notes in there.  How does that sound?  That way it is direct feedback on your timeline specific

HI Johannes,

Whatever you feel works for the story to bring the emotion and immerse your audience is what you do.  There are no rules with that as long as it doesn't take you out of the story and the emotion.   In Crazy Beautiful when you watch it, you are not saying as an audience member, look he or she is closing the gap OH yeah they are going to fall in love.  NO, you feel it, you cannot describe the feeling but you just feel it.  That is the art of cinematography