Director of photography Shane Hurlbut, ASC works at the forefront of cinema as a storyteller, innovator and discerning collaborator, who brings more than three decades of experience to his art. He is a member of the American Society of Cinematographers, the International Cinematographers Guild/Local 600, and The Academy of Motion Picture Arts and Sciences. Some of his film credits include: We Are Marshall, Terminator: Salvation, Need for Speed, Act of Valor, Semi-Pro, The Greatest Game Ever Played, Into the Blue, Mr 3000, among many others.
Jordan Brady directed four narrative feature films, three full documentaries, and over 1,200 national & regional commercials, as well as Maria Bamford’s acclaimed Netflix Comedy Special. Working with advertising campaigns for brands and agencies all over the world, Brady directed industry giants from comedy stars Will Ferrell, Kevin Hart, Keegan-Michael Key, and Rory Scovel to pop icons Arnold Schwarzenegger and country music legend Brad Paisley; plus, he has directed campaigns starring actresses Kathryn Hahn for Chrysler and Lamorne Morris for Buick.
Derek Edwards is Shane Hurlbut’s trusted 1st AC of over 20 years working on Hollywood productions. He continuously expands his vast knowledge of camera systems and methodology to remain at the forefront of the latest technology and complement the pioneering spirit worthy of an ASC cinematographer. Derek is a member of the Guild/Local 600.
Derek Johnson is a Digital Loader/DIT with credits on commercials and films like Need for Speed, Nightcrawler, The Ridiculous 6, and Teenage Mutant Ninja Turtles 2: Out of the Shadows. Johnson first began his career back in 2012 as an intern of Hurlbut Visuals before becoming the personal assistant of Shane Hurlbut, ASC. Derek’s career quickly progressed to working on major motion pictures.
Chris Herr is a Local 600 Camera Operator and Gimbal Operator that has worked on over 15 feature films. Herr cemented his place in the industry as part of the very beginnings of gimbal applications. His credits include Straight Outta Compton, A Star Is Born, Venom, and Birds of Prey, and collaborated with cinematographers such as Shane Hurlbut, ASC, Matthew Libatique, ASC, Paul Cameron, ASC, Barry Ackroyd, ASC BSC, and Jeff Cronenweth, ASC.
David Cole began his career in 1996 in Melbourne, Australia in the telecine department of AAV Digital Pictures. While maintaining his position as a colorist, his role expanded to Technical Director of Digital Film. He also assisted in the visual effects department as a Technical Director, writing scripts and other tools for the CG group.
In 2001, Cole joined The Post House Ltd in Wellington, New Zealand, as a Lead Digital Colourist on Lord of the Rings: Fellowship of the Ring, and over the next several years helped pioneer DI in Australia and New Zealand. In 2004, Cole joined Weta Digital as Supervising and Lead Digital Colourist, setting up and leading the DI division for Peter Jackson’s King Kong, for which he earned a nomination for Outstanding Color Grading – Feature film, from the Hollywood Post Alliance Awards in its inaugural year.
Sherri Kauk received her Bachelor of Science in Film & Photography from Ithaca College, Ithaca NY in 2005 and her MFA from the American Film Institute in 2007. Her work has taken her on-location to India, Egypt, Mozambique, Mexico and across the United States. Kauk won an Emmy for Outstanding Lighting Direction in 2019.
"I am drawn to everyday characters challenged to deeply understand themselves through confrontation with self and society. This character journey becomes my cinematography."
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